Sunday, 27 January 2008
On the 31st of January 2008, I will be heading to the Antarctic as part of the Australian Governments Antarctic arts fellowship. It is an 8 week roundtrip aboard the ship the Aurora Australis, visiting 3 of the Australian bases on one of the annual re-supply trips.
During the voyage I will be drawing like a madman between bouts of seasickness, and will be putting some of the work I make and interviews with people on the boat, up on a specially built website. Some schools in Victoria (Australia) will be following my journey, sending me questions and making artwork of their own back in the classroom.
The link to the site is : http://www.nicholashutcheson.com/antarctic/
Each week, new content will be uploaded, with the first actual week onboard ship, to be put online around about the 8th of Feb. Currently there are things about before the voyage (new drawings are going up all this week as I make them).
The site should be pretty easy to get about, but for the less savvy, below I have written out a quick guide to the site, where things are etc.
I will be sending out an email alert when a new week’s worth of content has been uploaded. It will only be for the duration of the trip (8 weeks). If you would like to receive the alert, then send an email to firstname.lastname@example.org
Last year I asked the Drawing research network members for some thoughts on the project. I am very grateful for all the ideas that I received, it gave me a good base from which to start from.
Went to the London Art fair in London last weekend and among many things that were inspiring or desiring was this Sleeper by William Kentridge, embarrassingly I had not come across his work before. this is what the Tate website had to say about the etching and the artist
William Kentridge born 1955 Sleeper is an etching produced by the intaglio process in an edition of fifty. It was made at 107 Workshop, near Bath, and published by David Krut, London, during a visit Kentridge made to England. The recumbent naked male figure depicted is very similar to one which appears in a slightly earlier etching, titled Act IV scene 7, from Kentridge's portfolio of eight etchings called Ubu Tells the Truth 1996-7. It is also thematically related to drawings made for his film Ubu Tells the Truth in 1997 (Tate T07481), which was produced in 1997. Kentridge mainly makes short animated films created typically from several large drawings, on which he draws and erases the developments of his narrative. Frequently the films are shown accompanied by the drawings which have gone into their making, providing frozen moments in the history of the film. In his film Ubu Tells the Truth he mixed other media, such as footage from documentaries, photographic stills and moving puppets, with his drawings for the first time. Sleeper, likefurther series of etchings Kentridge went on to make in the late 1990s, crystallizes some of the major issues of his work.
One of Kentridge's fundamental themes is the desire to forget, or to remain oblivious to, difficult and unpleasant aspects of reality and history. More specifically, his films depict the struggle of the white South African psyche with its conscience over the exploitation and abuse of the African land and people, during the period in which the system of apartheid was first challenged and then dismantled. Characters in his films are locked into a state of denial in which preoccupation with personal relationships (such as love affairs) provides a means to ignore the increasingly loud and insistent calls for political change. Sleeping, in Kentridge's work, is a metaphor for a state of blissful ignorance, a return to the internal world of the imagination, which conveniently allows the external world to be forgotten. However, the sleeper must always wake up, at some point, andthis moment of awakening and recognition is continually approached in Kentridge's films. It is usually an experience of painful but fertile self-knowlege, in which various types of loss bring the films' Western protagonists to an increased connection to their African landscape and heritage and to their own humanity.
Dan Cameron, Carolyn Cristov-Barkagiev, J.M. Coetzee, William Kentridge, London 1999 Carolyn Cristov-Barkagiev, William Kentridge, exhibition catalogue, Palais des Beaux-Arts, Brussels 1998
Space to Draw is the first in a series of conversations across the Jerwood Visual Arts disciplines. The Jerwood Visual Arts series encompasses sculpture, painting, drawing, photography, applied arts, and moving image in a regular series of awards, prizes, and exhibitions. Jerwood Visual Arts is involved in the questioning of the shifting and undefined lines between these disciplines.
The exhibition is entitled Drawing Matters and takes place from the 28th March - 20th April 2008. We are very pleased to announce the following artists will be showing:
Jason Hicklin http://www.jasonhicklin.com/
Kate Raggett http://kateraggett.com/
Fiona Robinson http://www.fionarobinson.info/
Valerie Bowes http://www.valeriebowes.co.uk/
Robert Clarke http://www.robertclarkedrawings.com/
Ian Chamberlain http://www.ichamberlain.co.uk/
Carol Peace http://www.carolpeace.com/
Keep checking our website http://www.drawingschool.org.uk/ for further information.
Monday, 21 January 2008
By all accounts it was a huge success with all money going to the Bristol childrens hospital and Fairbridge West, and another event is rumoured for the summer.
For more information on the charities and to make donations go here:
Wednesday, 16 January 2008
The RWA are holding an exciting drawing exhibition from the end of this month, extract from their press release below:
Drawing Breath & Jerwood Drawing Prize 2007
27th January - 2nd March
To kick-start 2008, Bristol will be lucky enough to be host to two of the most magnificent exhibitions of contemporary drawing in the country. The Royal West of England Academy in Clifton will be showing the acclaimed Jerwood Drawing Prize alongside Drawing Breath, a collection of drawings by the award winners and eminent selectors of this annual drawing prize. Comprising of over 180 works these exhibitions present the breadth and depth of contemporary drawing from a wide range of internationally and nationally renowned artists currently working in the UK.
Monday, 14 January 2008
Saturday, 12 January 2008
This past week saw us open our doors to the first students.
The first class was Valerie's on the monday morning and after spending a long weekend adding the final touches to the school, easels, blinds etc... it was a relief to finally see people turn up and enjoy themselves.
Due the success of the Tuesday evening class, we are thinking of adding another tutored evening class on Mondays, if you would be interested in this class let us know
Comments from the first week:
I think the class is great, and I was quite disappointed when we stopped at 12.30.
NC - Tues AM
Just back from attending this evenings drop in drawing class. Could I just tell you how much I enjoyed the event and what a super setup - I hope you go from strength to strength and I look forward to those Saturday all day events! Very well done - 10/10
KK - Wed Eve